Exhibition · 26 September — 16 October 2026

Masha Baur at MUST, Lecce

MUST — Museo Storico della Città di Lecce · Via degli Ammirati 11, Lecce, Puglia, Italy

For three weeks this autumn, Masha Baur’s monumental works on paper come to the heart of Lecce’s baroque old town. Sheets worked on the floor at the scale of a body — graphite polished into skin or erased until almost nothing remains, tulips falling through the figures like memories from another country.

I Wished You Didn’t Come Over — graphite and oil stick on paper, Masha Baur

The exhibition

The works on view belong to Baur’s 2025–26 body of work: large-format drawings in a single grade of pencil and a restricted palette of oil sticks, made over many sittings through erasing, smudging and brush manipulation. The human figure recedes into the background — a ghostly presence within a non-linear timeline — while softer washes of colour surface in its place.

What stays on the paper is not an image of a feeling but the residue of one — pressure, repetition, absence.

See the current body of work →

The artist

Masha Baur (b. 1984, Rostov-on-Don) is a German artist whose works on paper navigate the liminal space between memory and the subconscious. Her language is shaped by the emotive rawness of Lucian Freud and Francis Bacon alongside the gestural freedom of Cy Twombly. Following her selection for the Royal Society of Portrait Painters annual exhibition (London, 2019), she spent several years redefining her practice; the current series marks its most profound evolution.

About Masha Baur →
Masha Baur in her studio

The venue

MUST occupies the fifteenth-century former Monastery of Santa Chiara, directly beside Lecce’s Roman Theatre and a few minutes on foot from every major monument in the historic centre. The museum pairs the city’s archaeological story with a dedicated contemporary art programme.

The baroque facade of Santa Chiara, Lecce, at dusk — the museum occupies the former monastery beside it
Santa Chiara at dusk — the museum occupies the former monastery

Around the exhibition

Lecce is called the Florence of the South — a compact baroque city carved from honey-coloured pietra leccese, quieter and easier once the summer crowds have gone. Everything below is within a short walk of the museum, or an easy day around it.

The Roman amphitheatre in Piazza Sant’Oronzo, Lecce, at dusk
The Roman amphitheatre, Piazza Sant’Oronzo — five minutes from the museum
The ancient Roman theatre of Lecce, carved in pale limestone
The Roman theatre — directly beside the museum

Be there

Availability and prices of the works are on request — every enquiry reaches the studio directly. For occasional letters from the studio, including news of the opening, join the mailing list below.

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City photography via Wikimedia Commons: Santa Chiara — MattiaDeMarco, CC BY-SA 4.0 · Amphitheatre — NalaRome, CC BY-SA 4.0 · Roman theatre — Bernard Gagnon, CC0 · Santa Croce — Bernard Gagnon, CC0 · Due Sorelle — Josep Renalias, CC BY 4.0 · Caffè leccese — Davide Mauro, CC BY-SA 4.0 · Porta Napoli — Bernard Gagnon, CC0.